When I write, a lot of the time, it’s like books or movies. I’m a pure writer, so when I write, I like to write, like, a Scorsese. Thing you’re most proud of about Ghostdini: Wizard of Poetry All my other albums, besides the one I got right now that’s coming with, I really don’t listen to them. The only words that I might just get through, might be an R&B record I did called The Wizard of Poetry. And that bothers me to hear: Damn, I could have had just sent in 12 records on this, but I was told to put 20 or 16 records on it. I did it, you know what I mean? Because I’ve got a thing with me where it’s like … I know I could’ve did better. I don’t never sit back and listen to my music. I don’t even know when the last time I heard Ironman or Supreme Clientele. I’m the type of artist that don’t even listen to my own albums after a while when I put them out. I don’t remember probably 80 percent of them, because I just do them and I leave it alone. That’s hard when you ask an artist that been in the game for 27 years. We had to go through a few albums, and I’m like, Oh, I forgot about that. My DJ was playing mad, mad, mad, mad records. I got reminded when I was doing the Verzuz against Raekwon, when we had to pick out 20 songs to see what I was going to play against his songs. So, we torched the playbook and had a freewheeling chat about style, space, spirituality, and rap’s past and present. The plan for the conversation was to revisit works like Ironman, Supreme Clientele, The Pretty Toney Album, Fishscale, Enter the Wu-Tang (36 Chambers), and Wu-Tang Forever, identifying the songs Ghost felt that he crushed and a few he maybe regretted not crushing - this in celebration of “Blue and Cream,” his new Sonos Radio HD station where listeners get insight into the hip-hop and fashion icon’s favorite music across genres and time - but the veteran quickly pointed out that it’s not so easy to remember lines you concocted over 20 years ago, even the verses his fans have committed to memory and spent many years attempting to crack. The 50-year-old, born Dennis Coles, famously of Staten Island, is a brilliant storyteller capable of weaving suspenseful narratives as intense as anything on Snowfall or The Wire, a writer of love songs whose best cuts deserve mention among geniuses of the form, and, whenever he feels like it, a gifted absurdist able to use words to dazzle and confound joyfully and effortlessly. Ashley and JaQuavis narrate a fast paced, suspenseful tale of one of Harlem's biggest drug lords, his rise to power, and the woman behind him.Photo-Illustration: by Vulture Photo by Scott Gries/ImageDirectĮarlier this month, I rang up Wu-Tang Clan co-founder Ghostface Killah to walk through his tenure as one of the greatest rappers of all time. Julius finds out the hard way that everything done in the dark eventually comes to light. You can't turn a bad girl good, but once a good girl turns bad she's gone forever.

When she finds out about his past demons and connects them with her own, she soon finds out that there's a thin line between love and hate. She gets tangled in his web of lies and deceit. Young and Ambitious she is determined to escape from Harlem's allure, but her love for Jules has her rooted. Jules thought the game was his biggest challenge that is until he meets Tish. Strategically, he forms one of the most notorious drug operations Harlem has ever seen. Refusing to let the prediction become a reality, Julius Jules Carter creates new rules to an old game. Every Hustler's reign ends in one of two ways.prison or death.

Supreme clientele book part 2